Author: mopress

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Dear Editor,

I am afraid that, as an historian, I must respectfully disagree with some of your praise for The Great Debaters. Although I congratulate Winfrey and Washington for bringing the story of a authentic hero such as Melvin Tolson to the attention of the general public, I still must object – strongly – to their “improvements.”

There is a universe of difference – mental, moral, spiritual, and ethical – between defeating a USC debate team (my alma mater, incidentally) in Bovard Auditorium and vanquishing Harvard in Sanders Theatre – the same difference that would hold if the Wiley College football team had actually beaten the Crimson in Harvard Stadium while the film showed them beating the Trojans in the Coliseum.

But the real problem is the question of being true to historical fact. I have no doubt that racists will latch on to the rather cheap melodramatic substitution of Harvard for USC in order to attack the veracity of the movie’s portrait of Jim Crow.

A similar case arose with Anne Frank’s diary. Because Anne’s father removed some of her most intimate entries dealing with sexual matters, the Holocaust deniers declared that the entire diary was a fraud, and a team of scholars had to waste everybody’s time and money performing an exhaustive inquest in order to prove the reality of the diary. So it is important to get the facts right.

Don’cha Know?
A Texas Civil Rights Review
Column of Dissent

By Faddy MacMough

In your article I found at CounterPunch.org, “Beauty from the Heart of Texas: Denzel Washington’s “The Great Debators” you started out with the following paragraph:

Over at the Internet Movie Database, redneck trolls are saddling up their cyber posse to go night riding on the message boards against Denzel Washington and “The Great Debaters.” All of which is a good thing if you like to see relevance in contemporary art. Because deep down, “The Great Debaters” is a film about how to grow yourself into a real person despite the needlers, taunters, and brutes who dominate the space around you — and who dominate it, still.

By now you ought to know I’ll come back at you on any generalizations you make that excoriate Rednecks — it is my solemn duty after all as a leftie redneck. I’ll be the first to admit there are, as you suggest, trolls of a redneck variety. But there are trolls of all sorts of varieties that include folks who are not rednecks. And amongst the trolls who are busy attacking Denzel Washington and the great debaters are some who just don’t have the credentials to be good decent rednecks.

I’d suggest, based on his betrayal of his own roots, that Justice Thomas is a troll who, if his past maunderings are any indication, is perfectly capable to giving Denzel Washington and the movie a needling, a taunting, and a brutalizing. Given his lofty position, that would also carry some weight.

Now don’t get me wrong, trolls are trolls (especially if they are the Tolkienian persuasion) and are to be avoided, and brought to light at every opportunity. And if they happen to be rednecks as well, they certainly do need to be brought into the light of day. (Light, it seems, of a sunlight variety, causes trolls to turn to stone as any student of the Hobbit can attest.) That is just fine and dandy by me. In fact, I applaud anyone who helps to sanitize the redneck blood lines by ridding us of their influence.

However, and this is important, there are rednecks who should be your allies . . . and the allies of all sorts of people (dare I suggest types?) who are struggling against oppression and bigotry in this class society of ours. They are all on the same side of the civil rights equation and shouldn’t be alienated by a slip of the hyperbolic tongue. It doesn’t help your cause, and it only makes theirs all that more difficult.

Had I not recognized you as a fellow traveler in the art and practice of civil rights, someone who has, at least for me, sterling credentials, I wouldn’t have gone much further than the racist epithet: redneck trolls. Nor would you have done much reading if you’d run up against ‘n-word trolls’ — or ‘m-word trolls’ — or any of a number of other racist terms.

Now that brings us around to the closing paragraph:

So please don’t bother believing what the bigots tell you about this film, not even the trolls who claim to have Harvard degrees. You don’t have to be Black to feel beautifully about Denzel Washington’s fine new film, “The Great Debaters.” The “message” of this film is for anyone who still desires the capacity to dream higher than what you already are.

Here, I suppose you come close to redeeming yourself in spite of some rather grandiloquent attempts at grand eloquence. Not believing trolls, or bigots, or even folks with some fancy degree (Harvard being one), is very good advice. We should all heed your advice . . . whether our necks are black or red or brown . . . and we should, all of us, all celebrate the desire to dream higher than what we already are. Those of us wallowing in the under classes of our society have a hell of a lot more in common that we have that the power elites want us to understand and recognize.

Alas, your introductory paragraph does a great deal to continue the tradition of division and intolerance for those who are sometimes frighteningly mirrors of our own existence. It’s high time, in my not so very humble opinion, that all of us with our necks under the yoke of economic oppression were willing to celebrate our mutual successes and quit the divisive language. And it is high time that you, as one of our leaders, should watch out for those killer phrases that have our mutual antagonists smiling with delight at our antagonizing each other.

Fredegar N. MacMough (his friends call him Faddy) is a self-styled leftie, of redneck parentage, holding forth from one of those nasty little oil towns where the glories of Friday Night Lights sustain a population so used to being abused that they think things are just fine and dandy . . . where a peppermint patty world is an illusion foisted upon them because the boys did take state again.

To The Georgetown City Council:

It has come to our attention that the Georgetown City Council will vote on January 8th to consider enacting a new Hazleton style city ordinance that will require contractors and subcontractors to prove their employees are in this country legally.

LULAC Council 4721 requests that the Georgetown City Council table the creation of any anti-immigrant ordinance. Georgetown’s anti-immigrant ordinance is simply not needed. Immigration law is a matter reserved for the U.S. Congress and federal law. In fact, in 1986 Congress enacted sweeping legislation that makes it unlawful for businesses to employ illegal immigrants and expressly pre-empts states and localities from imposing their own civil or criminal penalties.

The ordinance that is being contemplated is fueled by a mixture of misinformation and fear, if enacted, it will foster discrimination and racial profiling in Georgetown. This ill conceived ordinance will create opportunities to discriminate against anyone who simply looks like he or she might be an undocumented worker, citizen and non-citizen alike.

Other states and municipalities across the country have unsuccessfully attempted to adopt similarly divisive, unnecessary and illegal measures. Court’s across this country have found Hazelton type ordinances unconstitutional because it encroaches on federal immigration powers, fails to provide procedural protection to people before they are fired and violates federal civil rights laws. The Supreme Court has already determined it was the exclusive province of the federal government to determine whether a person is in the United States lawfully or not.

Our Council urges the Georgetown City Council to avoid spending taxpayer dollars on an ordinance that will simply produce legal challenges that will burden the local taxpayer.

Jose Orta,President LULAC Council 4721

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From KXAN (Dec. 19, 2007)

The City of Georgetown is taking new steps to crack down on illegal immigration.

The council voted unanimously to have staff write a proposal for a new city ordinance that would require contractors to prove their employees are in this country legally.

That’s how Georgetown council member Keith Brainard came up with the idea to create an ordinance ensuring anyone working for the city in any manner, including sub-contracted, is a legal immigrant.

“People are tired of illegal immigration,” Brainard said. “They would like this country to police its borders.”

While some in Georgetown agree, some like Guadalupe Rodriguez don’t.

“When they come here they are willing to do anything, just as long as they can make enough money to support their families,” Rodriguez said.

She said one reason the council may support the idea is because there is no one on the council who looks like her.

“We have five men and two women,” Brainard said. “I don’t really think in terms of people ethnicity. As far as I can tell, they are all caucasion.”

“It’s just very hard, I guess, for a different kind of race to get on the board,” Rodriguez said.

Meanwhile, Brainard said the issue is not about race.

“If you are in this country legally than you won’t have a problem with this proposal,” Brainard said. “It really boils down to that. It really gets down to the issue of whether or not the City of Georgetown is going to support and encourage illegal immigration, or not support illegal immigration.”

Georgetown staff members are preparing the proposal for the city council to consider at their next meeting on Jan. 8.

Beauty from the Heart of Texas

By Greg Moses

CounterPunch

Over at the Internet Movie Database, redneck trolls are saddling up their cyber posse to go night riding on the message boards against Denzel Washington and “The Great Debaters.” All of which is a good thing if you like to see relevance in contemporary art. Because deep down, “The Great Debaters” is a film about how to grow yourself into a real person despite the needlers, taunters, and brutes who dominate the space around you — and who dominate it, still.

Passion, poetry, learning, and love. These are the things you must keep working at. “The Great Debaters” is about never being deterred. In art, thank goodness, we are graced to craft images of humanity into beauties that last. And the beauty of Professor Melvin B. Tolson in “The Great Debaters” is heroic as it should be.

Okay, so the actual Wiley College debate team from Marshall, Texas didn’t actually debate the actual Harvard College debate team in or about the actual year of 1935, as the actual movie shows. But what Tolson and his students did achieve was just as beautiful as the film portrays. The students and scholars of the most unlikely little community in NorthEast Texas embodied the Harlem Renaissance. They breathed in the mighty poetry and aspirations that had converged upon Lenox Avenue, and they gave back to the world tiny seedlings of a civil rights movement that would make history, yes, upon brand new roots. And they were great debaters.

If “The Great Debaters” has not been able to satisfy internet demand for documentary accuracy, that’s a good thing again; because now there is opportunity to nourish that appetite. The more you get to know the actual beauties of these folk and their work, the less the film will appear like exaggeration. The more you’ll see that the film did the best it could do in two hours’ time to share with you the force of spirit that was distilled among the children and grandchildren of slaves.

Pecking through the internet, I’m locating a handful of seeds to get you started on your East Texas victory garden. The University of Illinois has a good starter page on Melvin B. Tolson. There you will notice that many of Tolson’s poems did not make it into print during his lifetime.

The Center for East Texas Studies has a good starter collection of materials about James Leonard Farmer, Sr. I have linked to the “historical marker” page, but if you navigate to the Farmer root directory, you’ll find a nice collection of texts and pictures. For example, I like what the Bostonia file says about the sermons of Farmer Senior:

“No printed copies of those sermons have been uncovered, but poet Melvin Tolson, on the Wiley faculty during the 1930’s, offered another glimpse in his Washington Tribune column, ‘Caviar and Cabbage,’ describing Farmer’s Mother’s Day 1938 sermon: ‘I was thrilled,’ Tolson wrote, ‘by this vivid picture of Jesus the young rebel,’ who dearly loved his mother while battling the convention of his time.”

Notice on the big screen how much smiling goes on between Tolson and Farmer Senior when the subject of Jesus comes up. Glimpse the game they play within a close intellectual relationship. In fact, Farmer Senior was a great scholar of the Gospels, which is another story altogether. A clip of the film scene, featuring the two academy award winning actors Denzel Washington and Forest Whitaker, is widely available on the internet.

The autobiography of civil rights activist James Farmer, Jr. is rich with early memories of black college campuses, not only in Marshall, Texas. Here’s a link to the publisher’s page for “Lay Bare the Heart.”

During the 1930s, a federal work program collected slave narratives in Texas, which have been typed up and stored at the Library of Congress. Here’s a link to the index of that collection. Could it be the case that so many former slaves of Harrison County Texas actually had the failing memories they reported to federal writers?

And Salatheia Bryant of the Houston Chronicle offers a fine writeup on the “real” woman debater of Wiley College, Henrietta Bell Wells. Of the film says Ms. Wells: “I hope I live up to the ideals in it.”

So please don’t bother believing what the bigots tell you about this film, not even the trolls who claim to have Harvard degrees. You don’t have to be Black to feel beautifully about Denzel Washington’s fine new film, “The Great Debaters.” The “message” of this film is for anyone who still desires the capacity to dream higher than what you already are.

See Also: Philadelphia television reporter Tamala Edwards presents a more personal report on “Ma Wells.”